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alecshao:

Bhac Ji-Ho
Via

alecshao:

Bhac Ji-Ho

Via

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(via heavytint, seekingsatori)
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alecshao:

Marc Chagall, The Fall of Icarus

alecshao:

Marc Chagall, The Fall of Icarus

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juliettegold:

“I want to go to Tel Aviv”
Charcoal, pen, and watercolor on paper
59X42 cm
What do you think?

juliettegold:

“I want to go to Tel Aviv”

Charcoal, pen, and watercolor on paper

59X42 cm

What do you think?

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thatrobguy:

A pretty epic t-shirt design from threadless.  The again, aren’t they all.

thatrobguy:

A pretty epic t-shirt design from threadless.  The again, aren’t they all.

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magicfran:

Bianca Gomez
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debret:

midnight snack (von Darius twin)

debret:

midnight snack (von Darius twin)

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alecshao:

Four photographers’ reworkings of Jacques-Louis David’s A Marat:

L-R: Abel Gance, Gavin Turk, Beth Dubber, Jean-Daniel Beley

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colourbomb:

By Jamsan

(Thank you, toelle!)

colourbomb:

By Jamsan

(Thank you, toelle!)

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melisaki:

USA
acrylic on canvas by Paula Scher, 2007

melisaki:

USA

acrylic on canvas by Paula Scher, 2007

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lavoisier:

(via the artwork of charmaine olivia)
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awesomeprince:

*Ground speed**By Tim Lee*

awesomeprince:

*Ground speed**By Tim Lee*

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newyorker:

Our 1975 Halloween cover.

newyorker:

Our 1975 Halloween cover.

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photojojo:

City of Shadows by Alexey Titarenko
Alexey is a photographer from Russia. The series ‘City of Shadows’ was shot on the streets of St. Petersburg nearly 20 years ago.
This post is by Karishma as part of Photojojo’s Show & Tell week.

photojojo:

City of Shadows by Alexey Titarenko

Alexey is a photographer from Russia. The series ‘City of Shadows’ was shot on the streets of St. Petersburg nearly 20 years ago.

This post is by Karishma as part of Photojojo’s Show & Tell week.

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newyorker:

“Vignelli’s 1972 map wasn’t just lovely to look at. Its obsessive clarity turns out to be the perfect basis for digital information. It’s more modern looking than any of the maps that followed it. Now that people at the M.T.A. have figured out that this map is good for things other than dresses, why don’t they go the rest of the way, and bring it back as the basis for a more complete interactive map that will be kept live seven days a week?”
Paul Goldberger discusses how the M.T.A. brought back Massimo Vignelli to update his famous subway map.

newyorker:

“Vignelli’s 1972 map wasn’t just lovely to look at. Its obsessive clarity turns out to be the perfect basis for digital information. It’s more modern looking than any of the maps that followed it. Now that people at the M.T.A. have figured out that this map is good for things other than dresses, why don’t they go the rest of the way, and bring it back as the basis for a more complete interactive map that will be kept live seven days a week?”

Paul Goldberger discusses how the M.T.A. brought back Massimo Vignelli to update his famous subway map.